Al Satterwhite
Stevie Wonder, 1974
Archival pigment print
Edition of 25
48h x 72w in.
(additional sizes available on request)
Al Satterwhite
Paul Newman
1978
Archival pigment print
Editions of 25
20w x 24h in.
24w x 36h in.
36w x 54h in.
48w x 72h in.
Al Satterwhite
Paul Newman, Full Length
1977
Archival pigment print
Editions of 25
16w x 20h in.
24w x 36h in.
36w x 54h in.
48w x 72h in.
Al Satterwhite
Muhammad Ali
1970
Archival pigment print
Editions of 25
11w x 14h in.
16w x 20h in.
20w x 24h in.
24w x 36h in.
36w x 54h in.
48w x 72h in.
Al Satterwhite
Muhammad Ali, 5th Street Gym
1971
Archival pigment print
Editions of 25
11w x 14h in.
16w x 20h in.
20w x 24h in.
24w x 36h in.
36w x 54h in.
48w x 72h in.
Al Satterwhite
Muhammad Ali Training
1971
Archival pigment print
Editions of 25
11w x 14h in.
16w x 20h in.
20w x 24h in.
24w x 36h in.
36w x 54h in.
48w x 72h in.
Al Satterwhite
Hunter S. Thompson, Pepe's Bar
1974
Archival pigment print
Editions of 25
11w x 14h in.
16w x 20h in.
20w x 24h in.
24w x 36h in.
36w x 54h in.
48w x 72h in.
Al Satterwhite
Hunter S. Thompson, Fishing Boat
1974
Archival pigment print
Editions of 25
11w x 14h in.
16w x 20h in.
20w x 24h in.
24w x 36h in.
36w x 54h in.
48w x 72h in.
Al Satterwhite
Hunter S. Thompson, Cozumel
1974
Archival pigment print
Editions of 25
11w x 14h in.
16w x 20h in.
20w x 24h in.
24w x 36h in.
36w x 54h in.
48w x 72h in.
Al Satterwhite
Surf Wagon, 1964
Archival pigment print
Editions of 25
11h x 14w in.
16h x 20w in.
20h x 24w in.
24h x 36w in.
36h x 54w in.
48h x 72w in.
Al Satterwhite
Car Pulling a Surfer
1964
Archival pigment print
Editions of 25
11h x 14w in.
16h x 20w in.
20h x 24w in.
24h x 36w in.
36h x 54w in.
48h x 72w in.
Al Satterwhite
Water Skiers
1974
Archival pigment print
Editions of 25
11w x 14h in.
16w x 20h in.
20w x 24h in.
24w x 36h in.
36w x 54h in.
48w x 72h in.
Al Satterwhite started working as a photographer at a major daily newspaper in Florida while in high school, covering major news stories in the Southeast. After a year as the Governor of Florida's personal photographer, he started a career as a freelance magazine photographer. Over the next 10 years he worked on assignment for almost every major magazine, including Life, Look, Newsweek, People, Playboy, Sports Illustrated, Time, Travel & Leisure, to name a few.
In 1980 he moved to New York City to form his own production company and concentrate on advertising. For the next 15 years he did a wide range of national and international advertising work, becoming known for his saturated color images and keen sense of design and composition. He lectures and holds workshops at various facilities around the U.S.
His photographic prints are in the permanent collections of the Smithsonian National Portrait Gallery, Houston Fine Art Museum, Santa Barbara Museum of Art, Los Angeles County Museum of Art (LACMA), George Eastman House, Polaroid Collection, National Museum of African American History and Culture and numerous private collections.
